Reviews Archive

  • L-R Susannah Fielding, Zach Braff, Eye Myles and Paul Hilton

    Review: All New People

    Zach Braff is clearly bringing in the crowds but I couldn’t help but be slightly disappointed.

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  • grease-large

    Review: Grease

    With the January blues taking hold, there are worse things you could do (sorry, I couldn't resist) than go and see Grease.

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  • dirty-dancing

    Review: Dirty Dancing

    The show is still written by Eleanor Bergstein who wrote the movie, it is the same storyline, the same songs (with a few extras thrown in) and the same characters - just a different cast and different medium used to tell the story.

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  • calendar-girls

    Review: Calendar Girls

    The stage adaptation of Tim Firth’s Calendar Girls, based on the real-life story of the Yorkshire Women’s Institute ladies who made a charity calendar, is at the King’s Theatre in Glasgow for its final tour.

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  • LB-tour

    Review: Legally Blonde the Musical

    Legally Blonde tells the story of Malibu it-girl and fashion merchandising student Elle Woods, who stalks her ex boyfriend to Harvard Law School in order to prove to him she can be ‘serious’. It’s pink, fluffy, furry, glitzy, ditzy and uplifting.

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  • fringe

    Review: Excess Baggage

    Excess Baggage is funny and not very far fetched. I'm sure many people would have said "Sure!" if asked "Can you look after my bag for a minute? I'm just running to the loo."

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  • fringe

    Review: The Prodigals

    The Prodigals is a cut down version of a full-scale musical but what is shown at the Gilded Balloon makes you want to see more. There are great costumes, props, sound and lighting alongside some fantastic choreography and original songs.

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  • fringe

    Review: Showstopper! The Improvised Musical

    The cast laugh, make up their lines, don't know the lyrics to the songs and talk over each other. Normally this would be considered to be the height of unprofessionalism but in Showstopper it happens in every performance.

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  • verdict

    Review: Agatha Christie’s Verdict

    Verdict is unlike Christie's traditional works in that it's not a 'whodunit'. We know 'whodunit' because the murder happens in front of our eyes, we also know why the murder was committed.

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  • Avenue-Q

    Review: Avenue Q

    The Glasgow audience on opening night cheered as the lights went down, laughed throughout (very loudly and heartily) and left with huge smiles on their faces.

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